theater; stage presentations; motion pictures; film
Ingmar Bergman is worldwide known as a film and stage director. Yet no-one has attempted to compare his stage and screen activities. In Between stage and screen Egil Törnqvist examines formal and thematical correspondences and differences between a number of Bergman’s stage, screen, and radio productions. In the prologue Bergman’s spiritual and aesthetic heritage and his position in the twentieth century media landscape is outlined. In the epilogue the question is answered to what extent one can speak of Bergman’s directorial ‘method’ irrespective of the chosen medium.
如果您有任何问题，请随时与我们联系，谢谢。Between Stage and Screen 内容均搜集于网络，本身不存储任何资源，如侵犯到您的权益，请提交反馈，我们将配合您第一时间删除。