ding the brilliant and talented names of Edgeworth, Austin, Charlotte Smith, and others, whose success seems to have appropriated this province of the novel as exclusively their own. It was therefore with a sense of temerity that the author intruded upon a species of composition which had been of late practised with such distinguished success. This consciousness was lost, however, under the necessity of seeking for novelty, without which, it was much to be apprehended, such repeated incursions on his part would nauseate the long indulgent public at the last.
The scene chosen for the author’s little drama of modern life was a mineral spring, such as are to be found in both divisions of Britain, and which are supplied with the usual materials for redeeming health, or driving away care. The invalid often finds relief from his complaints, less from the healing virtues of the Spa itself, than because his system of ordinary life undergoes an entire change, in his being removed from his ledger and account-boo
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